On a late Monday at the end of May, I sluggishly – by fault of a sleepless travel day – made my way through the airport arrivals in Pointe-a-Pitre, Guadeloupe, unaware of the new ways in which experiencing Tilting Axis 5 (TA5) would change my perspective on many things – on art, the institution and on my own practice; and how, despite all the harrowing setbacks that I have endured, it is important to do work in and about the Caribbean.

Click here to read more at The Nassau Guardian